dimanche 14 novembre 2010

Le Laboratoire de Monsieur Tympan : SPECIALE JAPON



Le Laboratoire de Monsieur Tympan : SPECIALE JAPON

Playlist :

1. Hiroko Yakushimaru - Sailor fuku to kikanju (Kitty rec. - 1981)
2. Seiko Matsuda - Kaze ha akiiro (Sony rec., 1980)
3. Akina Nakamori - Shojo A (Warner-Pionneer rec., 1982)
4. Gmen 75 - Theme song (Columbia rec., 1975)
5. Hiromi Iwasaki - Omoide no ki no shita de (Victor rec., 1977)
6. Pink Lady - UFO (Victor rec., 1977)
7. Naoko Kawai - Smile for me (Columbia rec., 1981)
8. Midori Inoue - Romper Room theme song
10. Ganbaré ROBOCON - Theme song
11. Kenji Sawada - Mon amour, je viens du bout du monde (Polydor rec., 1975).

The Nightblooms - Butterfly Girl

Wild Nothing - Summer Holiday

Wild Nothing - Summer Holiday from MAGIC CHILL on Vimeo.

jeudi 11 novembre 2010

Violens - Violent Sensation Descends

Violent Sensation Descends from Violens on Vimeo.

Directed by Alejandro Cardenas

"Violent Sensation Descends" from the album 'Amoral' on Static Recital/Friendly Fire Recordings

mardi 9 novembre 2010

Skyence – INSCT


Skyence – INSCT from Johannes Timpernagel on Vimeo.
Collaboration between Skyence (Hamburg) and Johannes Timpernagel (Berlin).
Animation generated in VVVV, Editing in After Effects.

Direction & Animation: Johannes Timpernagel – http://www.timpernagel.com
Sound: Jochen Mader / Skyence / Audionerve – http://www.audionerve.de

For more Information about VVVV – http://vvvv.org
See you at NODE10 – http://node10.vvvv.org

»INSCT« coming out soon on Project Mooncircle – www.projectmooncircle.com

mercredi 3 novembre 2010

Maestro - Devils (Original Mix)


Band : Maestro
EP: A War Zone
Label: Tigersushi

Laurie Spiegel


Laurie Spiegel (born September 20, 1945 in Chicago) is an American composer. She has worked at Bell Laboratories, in computer graphics, and is known primarily for her electronic-music compositions and her algorithmic composition software Music Mouse. She also plays the guitar and lute.[1]

Spiegel, who attended Shimer College, Brooklyn College, and Oxford University, received a degree in social sciences and went on to study composition with Jacob Druckman and Vincent Persichetti at the Juilliard School. Her early musical experiences were largely self-directed, beginning with the mandolin, guitar, and banjo she had as a child, which she learned to play by ear; she taught herself Western music notation at the age of 20, after which she began writing down her compositions.

Spiegel was seen by some as a pioneer of the New York new-music scene. She withdrew from this scene in the early 1980s, believing that its focus had shifted from artistic process to product. While she continues to support herself though software development, Spiegel aims to use technology in music as a means of furthering her art rather than as an end in itself. [ Wikipedia]